Events

A woman’s world is turned upside down when she discovers that a hacker has invaded her online life. The mysterious presence, however, doesn’t seem interested in her money or her data but something much more elusive. Jordan asks its audience to examine how much we give away online and what we risk in our new age of information and technology. This hauntingly relevant world premiere comes to us from playwright Brenda Withers, Huntington Theater Playwriting Fellow and co-creator of the New York hit Matt & Ben.

Written by Brenda Withers
Directed by Jess Chayes

https://northernstage.org/jordan/

A woman’s world is turned upside down when she discovers that a hacker has invaded her online life. The mysterious presence, however, doesn’t seem interested in her money or her data but something much more elusive. Jordan asks its audience to examine how much we give away online and what we risk in our new age of information and technology. This hauntingly relevant world premiere comes to us from playwright Brenda Withers, Huntington Theater Playwriting Fellow and co-creator of the New York hit Matt & Ben.

Written by Brenda Withers
Directed by Jess Chayes

https://northernstage.org/jordan/

In ESAI’S TABLE, destiny meets eternity for three young black men atop an ancient magical table in this mythic tale of black lives, friendship, family, and love.​

Our fourth season will open this fall with the world premiere of Nathan Yungerberg’s play Esai’s Table; a dream that was born in 2018 at JAGfest, our new works festival, where the play received a staged reading. This beautiful show transports audience and characters on a mystical journey in which we experience the lives of three young Black men, and redefine what it means to be human. The vision to do a world premiere in the Upper Valley for the community that nurtured and supported its development will come to life in October 2019 at Briggs Opera House in White River. The play will subsequently transfer Off-Broadway to the Cherry Lane Theatre in New York City. Esai’s Table will mark a pivotal moment for JAG as it’s first world premiere, first Off-Broadway transfer, and first co-production.

JAG Productions & Cherry Lane Theatre Co-Production

https://www.jagproductionsvt.com/esaistable

New music by Brooklyn-based percussionist Matt Evans, percussionist and Dartmouth lecturer Amy Garapic and her students in the Contemporary Music Lab.

Top of the HOP

https://hop.dartmouth.edu/events/tnl-contemporary-music-l

An actress is given the gift of an adorable dog by the manager of the theater where she is rehearsing. The unexpected gift upends her relationship with her best friend who thinks the theater manager is weird. As she becomes fonder of the dog, she begins to question her co-dependent relationship with her best friend.

A woman’s world is turned upside down when she discovers that a hacker has invaded her online life. The mysterious presence, however, doesn’t seem interested in her money or her data but something much more elusive. Jordan asks its audience to examine how much we give away online and what we risk in our new age of information and technology. This hauntingly relevant world premiere comes to us from playwright Brenda Withers, Huntington Theater Playwriting Fellow and co-creator of the New York hit Matt & Ben.

Written by Brenda Withers
Directed by Jess Chayes

https://northernstage.org/jordan/

In ESAI’S TABLE, destiny meets eternity for three young black men atop an ancient magical table in this mythic tale of black lives, friendship, family, and love.​

Our fourth season will open this fall with the world premiere of Nathan Yungerberg’s play Esai’s Table; a dream that was born in 2018 at JAGfest, our new works festival, where the play received a staged reading. This beautiful show transports audience and characters on a mystical journey in which we experience the lives of three young Black men, and redefine what it means to be human. The vision to do a world premiere in the Upper Valley for the community that nurtured and supported its development will come to life in October 2019 at Briggs Opera House in White River. The play will subsequently transfer Off-Broadway to the Cherry Lane Theatre in New York City. Esai’s Table will mark a pivotal moment for JAG as it’s first world premiere, first Off-Broadway transfer, and first co-production.

JAG Productions & Cherry Lane Theatre Co-Production

https://www.jagproductionsvt.com/esaistable

In ESAI’S TABLE, destiny meets eternity for three young black men atop an ancient magical table in this mythic tale of black lives, friendship, family, and love.​

Our fourth season will open this fall with the world premiere of Nathan Yungerberg’s play Esai’s Table; a dream that was born in 2018 at JAGfest, our new works festival, where the play received a staged reading. This beautiful show transports audience and characters on a mystical journey in which we experience the lives of three young Black men, and redefine what it means to be human. The vision to do a world premiere in the Upper Valley for the community that nurtured and supported its development will come to life in October 2019 at Briggs Opera House in White River. The play will subsequently transfer Off-Broadway to the Cherry Lane Theatre in New York City. Esai’s Table will mark a pivotal moment for JAG as it’s first world premiere, first Off-Broadway transfer, and first co-production.

JAG Productions & Cherry Lane Theatre Co-Production

https://www.jagproductionsvt.com/esaistable

A woman’s world is turned upside down when she discovers that a hacker has invaded her online life. The mysterious presence, however, doesn’t seem interested in her money or her data but something much more elusive. Jordan asks its audience to examine how much we give away online and what we risk in our new age of information and technology. This hauntingly relevant world premiere comes to us from playwright Brenda Withers, Huntington Theater Playwriting Fellow and co-creator of the New York hit Matt & Ben.

Written by Brenda Withers
Directed by Jess Chayes

https://northernstage.org/jordan/

German-born Rolf Schulte, whom The New Yorker has called “one of the most distinguished violinists of our day,” started playing the violin at age five under his father’s tutelage. He later studied with Kurt Schäffer at the Robert Schumann Institute in Düsseldorf, attended Yehudi Menuhin’s summer course in Gstaad, Switzerland, and studied with Franco Gulli at the Accademia Chigiana in Siena before moving to the United States to study with Ivan Galamian at The Curtis Institute of Music in Philadelphia. At age 16, he made his orchestral debut with the Philharmonia Hungarica in Cologne, playing Mendelssohn’s Concerto. Under the auspices of Young Concert Artists he gave his New York debut at Town Hall to great acclaim.

He has since performed with the Berlin Philharmonic, Munich Philharmonic, Frankfurt Museums Orchester, Stuttgart Staatsorchester, Bamberg Symphony, Orchestra del Teatro La Fenice in Venice (in Stravinsky’s Concerto under Robert Craft), RTE Irish National Symphony in Dublin, and the Radio Orchestras of Berlin (RSO), Cologne (WDR), and Stuttgart (SDR) under conductors Christoph von Dohnányi, György Lehel, Tamas Vásary, Max Rudolf, Dennis R. Davies, Daniel Nazareth, Alexander Lazarov, Guido Ajmone-Marsan and many others. In 1990 he performed Roger Sessions’ Violin Concerto with the Radio Orchestra of the USSR in Moscow under the direction of Lukas Foss and presented American music in recital.

After many years of collaborating with the leading composers of his time, such as Elliott Carter (whose Fantasy he premiered at Harvard), György Kurtág (whose Kafka-Fragments he gave the American première of at Tanglewood), Milton Babbitt (whose The Joy of More Sextets and Little Goes a Long Way he premiered at the Library of Congress and Harvard), Donald Martino (whose Violin Concerto and Romanza he premiered), Mario Davidovsky (whose Synchronisms No.9 he premiered at MIT), Aaron Copland and John Cage, Rolf Schulte happily now returns to the repertoire of his early adulthood, applying the lessons learned from intensive work with living composers, to the music of Schumann, Beethoven, Schubert, Mozart, Brahms, Bartók, Janácek, Stravinsky, Debussy, Ravel, Webern, Schönberg, Berg, etc.

Mr. Schulte has appeared with the Chamber Music Society of Lincoln Center and the 1990 Kuhmo Music Festival in Finland. His numerous recital performances include the cycle of ten Beethoven sonatas at Harvard, Dartmouth, and Middlebury Colleges, and the complete violin works of Igor Stravinsky at the 92nd St. Y and Berliner Festwochen, among other places. From 1999-2001 Rolf Schulte held a residency at Harvard University during which he presented new works by Carter, Donald Martino and Milton Babbitt.

Mr. Schulte performs on a 1780 violin made by Lorenzo Storioni, Cremona.

James Winn, piano and composition professor at the University of Nevada, Reno since 1997, made his professional debut with the Denver Symphony at the age of thirteen, and has been performing widely in North America, Europe, and Asia ever since.

Dr. Winn has been a solo pianist with the New York City Ballet, a member of the New York New Music Ensemble, of Hexagon (woodwind quintet plus piano), and the pianist and resident composer of the Telluride Chamber Music Festival, as well as a frequent guest with the Chamber Music Society of Lincoln Center, Speculum, the Group for Contemporary Music, Cactus Pear Chamber Music Festival, La Musica International Chamber Music Festival, and Bargemusic. Well-known as a specialist in new music, he has been involved in numerous world premieres and premiere recordings by many renowned composers, among them 13 Pulitzer Prize winners.

Winn is currently a member of Argenta, UNR’s resident piano trio, a founding member and regular participant in the Nevada Chamber Music Festival, and performs regularly in recital with internationally acclaimed New York based violinist Rolf Schulte. An active recording artist, Winn is featured in more than four dozen CDs as soloist, chamber musician, and composer. He has received numerous career recognitions including an Artist Fellowship from the Nevada State Council of the Arts and the Governor’s Award for Excellence in the Arts.

http://www.courtstreetarts.org/workshops/2019/8/30/ile8ji76riw5lhjixx6s3bxsc77ah8

An actress is given the gift of an adorable dog by the manager of the theater where she is rehearsing. The unexpected gift upends her relationship with her best friend who thinks the theater manager is weird. As she becomes fonder of the dog, she begins to question her co-dependent relationship with her best friend.

The Dartmouth College Gospel Choir’s combination of energy and passion is irresistible! In fall and spring concerts, the choir performs a wide variety of gospel music ranging from spirituals to the most modern day contemporary hits, including many non-traditional, innovative surprises.

Walt Cunningham, director

Spaulding Auditorium

https://hop.dartmouth.edu/events/gospel-choir

In ESAI’S TABLE, destiny meets eternity for three young black men atop an ancient magical table in this mythic tale of black lives, friendship, family, and love.​

Our fourth season will open this fall with the world premiere of Nathan Yungerberg’s play Esai’s Table; a dream that was born in 2018 at JAGfest, our new works festival, where the play received a staged reading. This beautiful show transports audience and characters on a mystical journey in which we experience the lives of three young Black men, and redefine what it means to be human. The vision to do a world premiere in the Upper Valley for the community that nurtured and supported its development will come to life in October 2019 at Briggs Opera House in White River. The play will subsequently transfer Off-Broadway to the Cherry Lane Theatre in New York City. Esai’s Table will mark a pivotal moment for JAG as it’s first world premiere, first Off-Broadway transfer, and first co-production.

JAG Productions & Cherry Lane Theatre Co-Production

https://www.jagproductionsvt.com/esaistable

A woman’s world is turned upside down when she discovers that a hacker has invaded her online life. The mysterious presence, however, doesn’t seem interested in her money or her data but something much more elusive. Jordan asks its audience to examine how much we give away online and what we risk in our new age of information and technology. This hauntingly relevant world premiere comes to us from playwright Brenda Withers, Huntington Theater Playwriting Fellow and co-creator of the New York hit Matt & Ben.

Written by Brenda Withers
Directed by Jess Chayes

https://northernstage.org/jordan/

An annual favorite at the Newport Opera House, this spooktacular evening features the music of “LAST KID PICKED” and a costume contest with prizes awarded to winners from a variety of catagories.  Get a group of boys and ghouls together and have a monstorously wonderful time at the Opera House!

Doors open at 7:00pm

21 & over only – photo ID required for admittance

http://newportoperahouse.com/?page_id=4061

An actress is given the gift of an adorable dog by the manager of the theater where she is rehearsing. The unexpected gift upends her relationship with her best friend who thinks the theater manager is weird. As she becomes fonder of the dog, she begins to question her co-dependent relationship with her best friend.

The United States Air Force American Clarinet Quartet will perform a free concert at the Artistree Community Arts Center in South Pomfret, VT on Sunday, October 27, 2019 at 4:00 pm.  Please visit www.heritageofamericaband.af.mil  to learn more about this event.

The American Clarinet Quartet is a component of the United States Air Force Heritage of America Band, stationed at Joint Base Langley-Eustis, VA. As professional Airman-musicians, the members of the American Clarinet Quartet are dedicated to using the power of music to honor our veterans, inspire patriotism, communicate the Air Force story, and recruit those who are interested in serving our nation.

https://artistreevt.org/air-force-clarinet-quartet.html

In ESAI’S TABLE, destiny meets eternity for three young black men atop an ancient magical table in this mythic tale of black lives, friendship, family, and love.​

Our fourth season will open this fall with the world premiere of Nathan Yungerberg’s play Esai’s Table; a dream that was born in 2018 at JAGfest, our new works festival, where the play received a staged reading. This beautiful show transports audience and characters on a mystical journey in which we experience the lives of three young Black men, and redefine what it means to be human. The vision to do a world premiere in the Upper Valley for the community that nurtured and supported its development will come to life in October 2019 at Briggs Opera House in White River. The play will subsequently transfer Off-Broadway to the Cherry Lane Theatre in New York City. Esai’s Table will mark a pivotal moment for JAG as it’s first world premiere, first Off-Broadway transfer, and first co-production.

JAG Productions & Cherry Lane Theatre Co-Production

https://www.jagproductionsvt.com/esaistable

A woman’s world is turned upside down when she discovers that a hacker has invaded her online life. The mysterious presence, however, doesn’t seem interested in her money or her data but something much more elusive. Jordan asks its audience to examine how much we give away online and what we risk in our new age of information and technology. This hauntingly relevant world premiere comes to us from playwright Brenda Withers, Huntington Theater Playwriting Fellow and co-creator of the New York hit Matt & Ben.

Written by Brenda Withers
Directed by Jess Chayes

https://northernstage.org/jordan/

Hop pianist in residence Sally Pinkas and her husband Evan Hirsch ply us with dance-based selections in this program of four-handed piano works. You’ll hear includes Brahms’s stirring 1865 Waltzes, Op. 39; the graceful and enigmatic 20th-century harmonies of Darius Milhaud’s Scaramouche (1937) and Samuel Barber’s Souvenirs (1951); glorious Latin American dances in William Bolcom’s Recuerdos(1993); and Joseph Horovitz’s Concerto for Dancers, which depicts an accidental and ultimately romantic meetings of ballet and calypso dancers.

Pinkas and Hirsch thought they were doing a one-off when they made their debut as duo in a 1994 Valentine’s Day concert. Their audience’s enthusiasm convinced the two, already married but pursuing separate careers, to continue their collaboration. They made their European debut at the Officina Musicale Scotese in Abruzzo, Italy, and have since performed widely in France, Bulgaria, Nigeria, China, Thailand, Russia and Israel. Hirsch and Pinkas were the only Americans invited to participate at the notable piano festivals of the St. Petersburg Conservatory (2001) and the Ho Chi Minh City Conservatory (2013). In 2015 they performed at the prestigious Cultural Center of the Philippines in Manila and presented masterclasses at the University of the Philippines and the University of Santo Tomas. They have performed most of the masterpieces for the genre as well as rarely heard works. The Duo has collaborated with and recorded the works of American composers Daniel Pinkham, Peter Child, Thomas Oboe Lee, Kui Dong and George Rochberg.

Spaulding Auditorium

https://hop.dartmouth.edu/events/sally-pinkas-and-evan-hirsch

A woman’s world is turned upside down when she discovers that a hacker has invaded her online life. The mysterious presence, however, doesn’t seem interested in her money or her data but something much more elusive. Jordan asks its audience to examine how much we give away online and what we risk in our new age of information and technology. This hauntingly relevant world premiere comes to us from playwright Brenda Withers, Huntington Theater Playwriting Fellow and co-creator of the New York hit Matt & Ben.

Written by Brenda Withers
Directed by Jess Chayes

https://northernstage.org/jordan/

Isango Ensemble, internationally known for transporting European classics into a South African setting, fuses the opera’s original story with a Tsonga folktale also involving a magic flute. The two dozen performers—mostly local to Cape Town—dance, play rollicking melodies, and trill Mozart’s arias in this acclaimed rendering of Impempe Yomlingo (“magic flute” in the South African language of Xhosa).

Founded in 2000 by Director Mark Dornford-May and singer and actress Pauline Malefane, Isango Ensemble fluently moves between African and European music, theater and storytelling. As the Los Angeles Times wrote, “The Isango Ensemble, one of the world’s most unusual, interesting and important theater and opera companies, doesn’t distinguish between African theater and European opera. Nor does the company … acknowledge barriers between African myth and European, African ritual and European, African music and European.” Inspired by Masonic rites, the story of The Magic Flute has stunning similarities with traditions of the Tsonga of South Africa. Papageno (Mozart’s bird catcher), the Queen of the Night, Sarastro’s spiritualist tribe, the magic flute, the trial of fire and water are just a few of the Fluteelements found in timeless African folk tales.

Spaulding Auditorium

https://hop.dartmouth.edu/events/magic-flute

A woman’s world is turned upside down when she discovers that a hacker has invaded her online life. The mysterious presence, however, doesn’t seem interested in her money or her data but something much more elusive. Jordan asks its audience to examine how much we give away online and what we risk in our new age of information and technology. This hauntingly relevant world premiere comes to us from playwright Brenda Withers, Huntington Theater Playwriting Fellow and co-creator of the New York hit Matt & Ben.

Written by Brenda Withers
Directed by Jess Chayes

https://northernstage.org/jordan/

A woman’s world is turned upside down when she discovers that a hacker has invaded her online life. The mysterious presence, however, doesn’t seem interested in her money or her data but something much more elusive. Jordan asks its audience to examine how much we give away online and what we risk in our new age of information and technology. This hauntingly relevant world premiere comes to us from playwright Brenda Withers, Huntington Theater Playwriting Fellow and co-creator of the New York hit Matt & Ben.

Written by Brenda Withers
Directed by Jess Chayes

https://northernstage.org/jordan/

A woman’s world is turned upside down when she discovers that a hacker has invaded her online life. The mysterious presence, however, doesn’t seem interested in her money or her data but something much more elusive. Jordan asks its audience to examine how much we give away online and what we risk in our new age of information and technology. This hauntingly relevant world premiere comes to us from playwright Brenda Withers, Huntington Theater Playwriting Fellow and co-creator of the New York hit Matt & Ben.

Written by Brenda Withers
Directed by Jess Chayes

https://northernstage.org/jordan/